The below storyboard/shoot comparisons are taken from the opening sequence again. As I have already made several posts about this, it seems apt to continue the development process for you. Very impressed with the look. Sergio Leone could not have done better himself.
Scene 1 - EXT. MOORLAND – DUSK
A panoramic shot of the moors. A speck moving across the landscape . It’s a man. (although it is probably difficult to see on the photo, June 14th 2011 for the Showroom premier in case you were wondering)
A panoramic shot of the moors. A speck moving across the landscape . It’s a man. (although it is probably difficult to see on the photo, June 14th 2011 for the Showroom premier in case you were wondering)
We move closer. MATURIN is running frantically. A gaunt looking man in his thirties. He’s wearing a shirt and trousers; completely unsuitable clothing. His legs and shoes are mud-splattered. His face is a mix of exhaustion and fear. We don’t see what he’s running from.
We have some gorgeous footage from the beach to put up in the next installment. I don't want to give too much away in terms of raw video though. Maybe after the finished film is done, I can do a rushes blog? Don't want to spoil any scenes for you before they are perfect.
l'adieu pour le moment mes amis
xx
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